视频简介
Helena的丈夫Jason常出外公干，但Helena却不能忍受丈夫以事业为重，忽略关怀自己。Helena逐渐变得神经质，常疑心丈夫有外遇，夫妻间渐生摩擦。寂寞的Helena在酒吧内认识了风度翩翩的Keith，Keith生活正常，乐于报告行踪，有齐Helena丈夫没有的优点，令Helena不自禁地开始了一段婚外情。Keith买了Helena喜欢的心口针上门，想给Helena一个惊喜，谁知开门的却是提早公干回港的Jason。 神经质的Helena回到家里，发现丈夫与情夫同场，生怕奸情被揭穿，愈来愈心慌，情绪进入竭斯底里的疯狂状态，语无伦次，跑到厨房拿起刀企图自杀。Helena被Keith一手夺刀及拥抱，Keith拥抱全身战抖的Helena，二人羞愧地回望Jason。Jason洞悉了妻子的奸情，却本着一份真诚的爱，向Helena回报宽恕的目光。Helena这才省悟，幸福原来早就在身边。。从小就缺乏爱的莉香，是一位自称28岁的女性，她对丈夫、结婚、家庭都有着少女般的憧憬和纯洁。遇到命中注定的男人时，她纯洁的爱情迸发成为得到对象而不择手段的最恐怖纯爱怪兽。 莉香的新命运对象是市原隼人饰演的警察奥山次郎，为了吸引莉香，将通过APP进行接触，并逐渐被她怪异的魅力所吸引。内田理央饰演奥山的未婚妻、同样追查理加的警官青木孝子。青木的前辈梅本尚美由佐佐木希饰演。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。