视频简介
日本「旅遊達人」杜如風繼「解風」東京、大阪後，今次重回她首次去日本旅遊的目的地—福岡，貫徹「瘋狂」、「癲喪」本色，發掘最新「食、瞓、玩、買」好去處，「喪吃」海膽涮涮鍋、水果天婦羅等美食；「喪買」各式潮物、古著，造訪青蛙主題寺廟、日本唯一的海中展望塔；「喪玩」透明滑梯等大型戶外遊樂設施、挑戰日本最「危險」餐廳……「玩轉」福岡後，如風還「加碼」帶攝製隊暢遊糸島、大川、佐賀縣等地，帶來加倍驚喜的行程！。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
